Friday night was all
hallows eve, and London had more than it’s usual share of horrific sights. The three of us - X, Matty and me have spent far to long applying
our Goth slap, so original plans to go Shunt – the cavernous club tucked under
the railway tunnels at London Bridge – are dashed by our tardiness. Emerging
from the underground a colourful queue confronted us. In keeping with the party’s
theme of the Wicker man; oak leaf headdresses, paisley scarves and sackcloth
tunics were in abundance. A quick scan of the be-twigged people stretching from
the incognito entrance door, we decide entrance will be unlikely .
Our outfits are in no
way pagan, Matt has come as a zombie mod, X as Morticia Addam’s sister.
Walking out in to the night,
we swing past the service road at the back of the club. Hearing the frantic folk
music, we briefly entertain trying to bypass the back door bouncer, by mingling
with the nicotine-addicted overspill. He clocked us a mile off - so on to the
back up boozer.
The approach to the
Rose is quiet. Outside a few figures linger, and a dull light emanates - but does
not confirm activity. We squeeze in to the steamy bar and instantly forget our Wickerman
let down. The Rose is a special pub,
welcoming to outsiders, with an initiation of mockery on passing the door. Not being
a regular or local, I let it slide.
The Rose’s interior is quirky. The bar, lovingly moulded
with centuries of beer soaked fingers and inlaid with a skin of leaf skeletons
which glimmer under a glass pane. In a hidden corner, a Brain shaped lamp, by
the hearth two-life size sausage dogs, cast in brass. Tonight a scattering of
rib cages, spinal columns, cobwebs and carved pumpkins add to the jumble. Christopher
Lee (again !) this time stretching his fanged face the large screen. Navy rum is ordered, and we settle in with our new friend
the Pumpkin.